(no subject)
Apr. 19th, 2008 08:15 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
I finished Gentlemen of the Road yesterday. It was a brilliant novel. At first the pacing seemed odd -- too breathless -- until I discovered that (true to its 19th-century style) it was originally published in weekly instalments in a newspaper. Probably, also, it's that Chabon is used to writing 500-page novels, not 200-page ones.
It really does have all the hallmarks of a Victorian adventure story. It's meticulous in its portrayal of dress and historical details, but fully modern in its morals (modern in this case being 21st century, not 19th). There's a vaguely anachronistic mood hanging over it that's hard to pin down to any one thing, but just seems to be the characters' conception of the universe.
Also, I note that all the drawings are just slightly inaccurate. Knowing Chabon, this is probably intentional. He did write those missing-the-point footnotes to Kavalier and Clay, that miss the point exactly how actual footnotes would have.
Now I've on to much heavier fare -- Pink Blood, an examination by a Canadian journalist of a hundred homophobic/transphobic homicides in Canada over a ten-year period, and more than 300 violent acts over the same period.
Before I move on to the utter uselessness of the Canadian justice system when dealing with hate crimes, I'd like to point out that even Janoff -- for all his brilliance -- still uses that poorly-translated tagline of Michel Foucault's, the supposed, "The sodomite was a temporary aberration; the homosexual was a species."
Actually, Foucault said, "The sodomite was a relapsed heretic [relaps]" -- that is, someone who reverts to their original state, rather than adopts a temporary new one. So Queer Theory's been marching under a motto that's more apocrypha than canon.
It really does have all the hallmarks of a Victorian adventure story. It's meticulous in its portrayal of dress and historical details, but fully modern in its morals (modern in this case being 21st century, not 19th). There's a vaguely anachronistic mood hanging over it that's hard to pin down to any one thing, but just seems to be the characters' conception of the universe.
Also, I note that all the drawings are just slightly inaccurate. Knowing Chabon, this is probably intentional. He did write those missing-the-point footnotes to Kavalier and Clay, that miss the point exactly how actual footnotes would have.
Now I've on to much heavier fare -- Pink Blood, an examination by a Canadian journalist of a hundred homophobic/transphobic homicides in Canada over a ten-year period, and more than 300 violent acts over the same period.
Before I move on to the utter uselessness of the Canadian justice system when dealing with hate crimes, I'd like to point out that even Janoff -- for all his brilliance -- still uses that poorly-translated tagline of Michel Foucault's, the supposed, "The sodomite was a temporary aberration; the homosexual was a species."
Actually, Foucault said, "The sodomite was a relapsed heretic [relaps]" -- that is, someone who reverts to their original state, rather than adopts a temporary new one. So Queer Theory's been marching under a motto that's more apocrypha than canon.
(no subject)
Date: 2008-04-19 03:58 pm (UTC)Actually I've been meaning to read Kavalier and Clay for years. I thought for sure I had bought a copy of that book but I can't find it. It's also entirely possible that I wanted to by a copy but never did... I guess I'll figure it out when I move.
(no subject)
Date: 2008-04-20 01:45 pm (UTC)(no subject)
Date: 2008-04-19 05:26 pm (UTC)I'm looking forward to a lot of reading this summer. ^_^
(no subject)
Date: 2008-04-20 01:45 pm (UTC)